One accomplishment of this essential drama from the 40s is its unusually large and serious role for a child. Peggy plays Francie Nolan, a character who is some two years older than the actress. Francie is one of the two children of a poor family in Brooklyn, and adores her bohemian father Johnny (James Dunn). Though capable of holding her own, Francie is also sentimental and thoughtful, and makes a very likeable character. Her growth from blind idolization of her father to coping with his flaws is one of the major aspects of the story. Peggy's acting is good by the standards of the time, and especially enjoyable if you prefer dramatic over merry. For a more thorough review, I recommend the one at Eye For Film.